All the Cures have been freed from being transformed into babies,
prepared to fight. All, except for one. Cure Yell. But the rest of
the Cures quickly realize that Yell is alive and well, hanging onto
Miden’s inner self for dear life while he fights to throw her out.
The rest of the Cures know what they have to do, defeat the swarm of
Mini-Midens to weaken him enough so Yell can break through to him.
After what is one of the coolest, most nostalgia filled action
sequences they defeat all of them and Yell finally walks through a
crack in Miden’s personality to find the real him. Then… what?
Some spectacular explosion? Some even crazier action? She opts to
go with the most astounding display of power and... simply hugs him.
This moment is easily one of the most satisfying climaxes in recent
memory. Miden was not some justifiable villain that was trying to
change the world to create something better, he was unrelatable,
selfish, reactionary and yet we didn’t want him gone. Defeating
him would have been easy, but hanging on through the fight until he
was ready to be seen was harder. Rehabilitating him was the hardest
choice for the girls, and for the writers, but by doing so we are
given a fantastic ending that gives us a more in depth understanding
of Miden and all the girls. Rehabilitating the villain, as opposed
to defeating the villain, creates a much more interesting story and
should be something used more often than it is.
Sunday, December 29, 2019
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Rehabilitating the Enemy
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